This is a bracketed Rotten Tomatoes market, so the prices spread across score ranges rather than a yes or no. The 99% lines are inclusive buckets the score comfortably clears, not a claim the film sits near-perfect, and the informative money is in the tighter bands where the split shows real disagreement about where the number lands. Review-aggregator markets move on two things, sample size and early-critic tilt, and a thin count means one or two reviews swing the percentage hard. Read the volume before the price. The heavy trading sits in the middle brackets, which is where the actual question lives, and the extremes are mostly settled boundaries rather than live opinions.
Prices are probabilities — our guides cover how to read them, how markets settle, and how we find an edge.