Iñárritu satires with Tom Cruise carrying them do not have an obvious Rotten Tomatoes floor, which is why the middle buckets, not the extremes, hold the money here. The forecast already slid roughly ten points to the mid-50s after early reactions ran mixed, so the market has priced the London premiere murmurs into a wide, uncertain band rather than a confident number. A strong opening-day critic wave pulls the whole distribution up fast, since a Tomatometer moves in real time as reviews post. The counter is a $125 million black comedy that split the room before wide release, and split rooms rarely settle in the 90s.
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